The moment I heard about this film and watched the teaser trailer,
my immediate thought was, “What could possibly go wrong?”. I accidentally said
that aloud and someone asked me what I meant by that: Either sarcastically or
comically or something else, and so I explained the context behind that
thought.
An R-rated animated film – which in England would receive the 15
certificate. That hasn’t really been done before as a feature-length film. Most
animated projects are either meant only for kids or for the entire family, but
never have any animation company attempted to produce one only for adults. And
then I discovered who was standing behind the scenes, suddenly the teaser
trailer got even better. Seth Rogan’s filmography normally includes certain elements
that if weren’t in there, you would wonder whether this really is a film penned
by Seth himself. Even the two Bad Neighbours films had those elements in, just
to remind you that Seth is in the building, and to include them into an
animated film, I couldn’t have been any more interested.
I didn’t want to be, but I found myself caught up in the hype, and
so when I was finally able to sit down and watch it, my anticipation for it to
be a good film was unintentionally high, but I was pleased that it delivered
everything I had hoped for…
And yes, it really isn’t meant for kids. This couldn’t be more of
an animation film intended for adults if it tried, and that just made it that
much more entertaining. I am struggling to see if it is actually possible to
include so many innuendos at any one time, but there was something different
about them, though. An innuendo is an innocent comment that suggests a
different definition for the entertainment of others, and even in the trailer
there were plenty of those and so it was expected that the film would be packed
full of innuendos from beginning to end, and none of us was disappointed, but instead
of being suggestive, it’s almost as if they were deliberately bending the definition
of an innuendo to its breaking point. They say something that everyone knows is
completely suggestive, but at the same time it’s sitting at the far opposite
and being an innocent comment at the same time. Extremely suggestive, and
extremely innocent at the same time, and there was never anything in between. Even
the promotional poster stay clears of the middle. I have never known a film to
include so many innuendos at any one time and get away with it – and if it were
any other film, they would have gotten boring very quickly, but this film
remained funny from beginning to end.
During those moments when the imagery was brought to our main
attention, they really didn’t pull any punches. Again, it’s food, and so it’s
innocent, but on the other hand, it’s incredibly dark. A sausage getting cut up
in front of his friend, a potato having its skin sheared off, a cabbage ripped
in twain; if there was a limit they wanted to smash through, they certainly
achieved that – but because it’s an animated film it was one-hundred percent
fictional. Again, always sitting at both extreme ends of the spectrum.
However, it isn’t just innuendos and graphic imagery, it did have
a story as well, and I have no complaints on that either, to be honest. Whilst
you could argue that it’s a little formulaic when it comes to a character striving
to find the meaning of life, but it’s done in such a unique way, the backbone
of the story also feels unique and fresh. It didn’t tangent off anywhere unnecessary,
it stuck firmly to the story, and developed the characters around it until the
climatic showdown between the food and their “Gods” (humans).
While most major animated films require hundreds of millions of
pounds, Sausage Party was made with – compared to – pocket change at 20 million
pounds. It was deliberately animated as if it needed a little bit more
polishing up – or as if they had run out of budget, but decided to just go with
what they have instead of waiting for some more, and again, it really works. If
it was as perfect as a Pixar film, it would spoil the film as a whole. You
could define Sausage Party as the Deadpool of animation: It was a huge experiment,
yet everything came together as intended and was perfect.
If they changed one thing about Deadpool, everyone would go crazy.
Because they were allowed that freedom to do essentially what they wanted
without having to worry about adhering to any ratings, all the elements fell together
exactly as intended and the finished product was a hit among fans, and
introduced the possibility of even more R-rated comic book films. This falls
into the same category. Because there weren’t any ratings to obey by, that
creative freedom allowed them to expand and include everything they wanted to
make the film they had envisioned and the finished product was and is amazing.
The difference between Deadpool and Sausage Party is that Deadpool wasn’t the
first R-rated comic book film, just the first good one, whereas Sausage Party
wasn’t just the first, but set the bar very high for the future.
So when I asked, “What could possibly go wrong?” I was awash with
many different emotions: Excitement because it was a Seth Rogan film, nervous because
it was an animated R-rated film, and curious to see how they would actually
pull that off. I knew what I meant when I asked that question, but if said
aloud it doesn’t really explain anything, does it?
Thanks for reading
Antony Hudson
(TonyHadNouns)
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