We’ve had what is the most notable and therefore most popular time
loop film, Groundhog Day. Countless films have explored the concept of a time
loop, but not many do it perfectly. Before I watched Happy Death Day, the last
perfect time loop film was Edge of Tomorrow. Groundhog Day is a family friendly,
feel-good film that everyone can enjoy; Edge of Tomorrow is a science fiction,
action story, which is highly entertaining and anyone who’s into science fiction
and action can enjoy. Happy Death Day is a horror version of the time loop concept,
and, like the previous two mentioned films, is done perfectly.
Being a time loop film, there’s a basic formula people have gotten
used to. Starting with the initial confusion, gradually building up the montage
of having fun and not caring, before becoming bored having achieved all that
could be done, and ending the loop having successfully solved what the mystery
was. The structure was there, thus the writers can build the original story
around it.
As well as the horror element, we do get a couple other genres woven
throughout. Romantic comedy and satire of the college campus. It’s a risky move
to include multiple genres, as it’s possible to focus too much on one at any point
in the movie and make the story’s progress clunky.
Even then this film included even more elements. Keeping the
audience questioning on how the time loop began. Those subtle hints throughout
that can be expanded upon and theorised for pages upon pages keeps the audience
second guessing – and the overall mystery of who the killer actually is by
throwing in a few hints here and there – and one or two side characters that,
whilst are basically throwaway scenes, do go through some development.
Happy Death Day is bursting to the brim with content, and that’s
blatant. In this film, it’s easy to spot when including that much at once does
show some strain. It does feel as if it’s always on the edge of breaking, and
ruining itself. However, Scott Lobdell’s writing and Christopher B Landon’s
directing keeps the three genres in harmony with each other. Jessica Rothe’s
acting as Theresa “Tree” Gelbman helps it along massively, as she has to flit
between the three genres all the time as well as gradually going mad from the
constant repetition of Monday 18th – and she does so brilliantly.
In conclusion, Happy Death Day is a film that gives you much more
than you would expect. I believed it to be a plain horror movie with a murder
mystery, but there’s so much more to be had, and all the elements are organised
expertly to keep the film enjoyable, and re-watchable. There are enough time
travel films for anyone who prefers specific genres only, then I can see why
you won’t like this. However, I see it as a film that takes a familiar concept
and makes something original out of it. I’m happy to watch all three films,
Groundhog Day, Edge of Tomorrow, and Happy Death Day back-to-back – neither will
make the marathon boring.
Thanks for reading
Antony Hudson
(TonyHadNouns)
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