#When this film starts someone is
in a hurry but he, Jimmy the Crook (Buster Keaton) doesn’t get very far. The
cars he has passed all stop, one-character J. Russell Finch (Milton Berle) in
particular reacts in a realistic way, when he keeps repeating the fact that the
car ‘Went sailing right out there’. All these strangers have been drawn into a
situation they are all intrigued to carry out, except one, Emeline Marcus-Finch
(Dorothy Provine).
There is a nice cliché to end
these scenes and then the police arrive, they ask if Jimmy was still alive when
the assembled group found him and if he said anything, the answer given shows
good quick thinking in the script.
Who’d have thought one woman, Mrs.
Marcus (Ethel Merman) would have so much to talk about, as the film jumps
between characters, it is realistic to see them all discuss what they have
heard. They are all suspicious of each other, so they stop and try to form an
agreement, which if played out would make this film a very short and boring
film. After much talk, disagreement and well timed humour, it is now every
man/woman for him/herself. So let the crazy fun begin.
Someone doesn’t want to move to
California, don’t you just hate it when due to an event a smug someone rubs
your nose in it.
All throughout this film the
script includes such well-timed humour, the film has now moved on it is the
start of vehicles being abandoned and other people being drawn in to help or
not as some cases may be.
So much for a new business, I just
hope they are sufficiently insured. It is sad to watch but as stories get made
up in this film consequences happen.
Just when we think the money will
be found by Mrs. Marcus’s son Sylvester (Dick Shawn) the script and the music
is worded and created otherwise and no one is to criticise Sylvester. Things
take a dark turn, J. Algernon Hawthorne (Terry-Thomas) just wants his car keys
back. The charges are mounting up in more ways than one.
Melville Crump (Sid Caesar) and
his wife Monica (Edie Adams) maybe the first ones to reach the destination, but
they find themselves trapped. First ones there doesn’t mean they are first to
find the money.
This film shows you ‘You shouldn’t
bite the hand that feeds you’, criticising the English to an English man who is
helping you out by giving you a lift is not the wisest of things to do.
I agree with not giving an
advantage to one set of people over another, but this is a strange situation
and maybe the rules shouldn’t apply on this occasion.
This film shows you shouldn’t
drink and fly, although this makes for some fun scenes and again well timed
humour in the script.
How much dancing can one couple
do? Luckily this time Sylvester’s girlfriend (Barrie Chase) hears the phone
ring. The script is so well done that the result is, Sylvester is going the
other way.
When you are trapped your instinct
can be just to get out, there is a question ‘Who is going to pay for the
damage? Well the shop keepers did lock them in.
Not just anyone can fly a plane or
know the correct call to air traffic control, although ‘Mayday’ and ‘Help’ is a
good start though.
This is a fast paced film quickly
changing scenes between the character’s situations they find themselves in and
this film is getting crazier and crazier, including we now see the annoying
predicament of Otto Meyer (Phil Silvers) just wanting to find the road again
and all he finds is a river, happy sailing/sinking.
After the intermission there will
be only a little hole made in the wall, but the fuse comes across the discharge
from the fire extinguisher, but it is what’s in the boxes that are now alight
that causes a real problem. It is good how interweaved and connected the things
that happen in the script are done.
The comedic silliness continues in
this film, including, by picking the unlikeliest person to talk Benjy Benjamin
(Buddy Hackett) and Ding Bell (Mickey Rooney) down to land the plane. After an
amusing fly-by of the control tower it all seems the odds are against them.
The car scenes on the road between
J. Russell Finch and Sylvester are really strange and silly. It needn’t have
been included, you could clearly see it had been staged.
The police have been watching over
the events in the film and they are about to make their way to come together.
So after keeping calm, falling down in an aeroplane, two holes in a wall and a
glass window and some paint, they all eventually arrive at the park.
As often can happen the person who
is not looking for the ‘Big W’ finds it, it just goes to show if you are in
haste you are least likely to see or in this case find anything. Sadly, the
dream doesn’t last long though.
The police in the form of Capt. T.
G. Culpepper (Spenser Tracy) has the upper hand at first, but the film is not
over yet and after a failed escape and a rescue mission by the fire department,
that doesn’t end well. This leads to some amusing scenes at the end where we
find out the knowledge that the judge will enjoy having Culpepper in the dock
and it is also amusing to see the result of a poorly discarded banana peel.
This film goes to show; greed can
work in mysterious ways.
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