Based on the book of the same
name, this American biographical drama tells the story of three female African
American mathematicians who worked at NASA during the Space Race between
America and Russia. The story takes place when segregation was still a major
part of everyday life. As the story advances, we see them becoming a key part in
the development of the rockets and the research needed before sending the first
American man into space.
The film focuses on Katherine
Johnson (Taraji P. Henson), who calculated flight trajectories of Project Mercury
and others, including Apollo 11, the successful mission of landing on the moon.
Octavia Spencer plays NASA Supervisor Dorothy Vaughan and Janelle MonĂ¡e who plays
NASA Engineer Mary Jackson. Their work has inspired countless people and many
honours have been made in their name. Although there are a few historical
inaccuracies due to it being an adaptation, all the major points are covered
correctly and professionally to tell the audience the story and to teach them
of the past. Jim Parsons’ and Kirsten Dunst’s characters, Paul Stafford and
Vivien Mitchell weren’t real people but instead a personification of how people
acted towards the African American employees. There were a few moments I found
rather shocking due to their bluntness, however accurate it may have been portrayed.
It is a powerful
drama. All three mathematicians weren’t recognised for having incredible
skills, despite how much they showed what they were capable of. Only when NASA
was receiving all but correct answers did they start including them into other
areas they weren’t originally permitted to go; in other words, didn’t have
clearance to access the important information, despite them needing such to
complete the work NASA was expecting them to complete. This contradiction was
explained thoroughly with Katherine Johnson’s character, who had to run half a
mile and back again just to use the toilet due to the building she was working
in having no “coloured toilets”. This film also focused on the development of
the supporting characters, most importantly Vivian and Paul.
Kevin Costner’s
character, Al Harrison does recognise Katherine’s skills and the work she does,
but is bound by the rules until she explains just exactly what’s wrong with the
system and he personally knocks down the sign, allowing everyone to have use to
the toilets in the building.
All the topics were
handled with care and the finished film sets a perfect example to everyone.
There was a lot of passion put into this project; it was certainly a story they
wanted to tell to the world. The filmmakers arranged various charity screenings
so everyone including those who were unable to make it to the cinema was also able
to experience the film along with everyone else, an act that proves this film
wasn’t made to make a profit, but instead just to tell a story that not many
people knew. There are no hidden meanings that you need to watch the film
several times to find, but all of them are on the surface for everyone to see,
making the film easier to watch and understand without having to think too much
and lose track of the story and walk away feeling more confused instead of
moved, inspired, and empowered.
Thanks for reading
Antony Hudson
(TonyHadNouns)
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