Also known as Pirates of the Caribbean: Dead Men Tell No Tales,
this fifth instalment in the series sees Captain Jack Sparrow hunt for the Trident
of Poseidon, along with Henry Turner and Carina Smyth. Henry’s goal when
finding the Trident is to break the curse that’s keeping his father, William
Turner who during the events of At World’s End, is now captain of The Flying Dutchman.
They are also hunted by Captain Armando Salazar, an undead pirate, who is also
searching for the Trident to wipe out all pirates.
Bearing a similarity with the first film in the franchise, Jack
Sparrow is no longer the main character. Whilst the plot does revolve around
him mostly, he mainly follows along with the other characters. Salazar’s ultimate
mission is to wipe out all pirates from the seas, but Jack was the one who
trapped him in the Devil’s Triangle, and so wants revenge for cursing him to be
a ghost forever.
The Trident of Poseidon has the ability to end all curses. This
also frees William Turner from the Flying Dutchman, so he can walk on the land
without any side-effects. It was nice to see Orlando Bloom reprise his role,
along with Keira Knightley as Elisabeth Swan respectfully, even if it was right
at the very end. Johnny Depp and Jeffery Rush slips naturally back into the
role of Jack Sparrow and Captain Barbossa, as do the rest of the cast.
The franchise is good at expanding its mythology and increasing
the size of its world, but unfortunately, the story in this one felt a little
rushed. It shouldn’t matter that this is the shortest film in the franchise,
but it does show. I enjoyed the film for what it was, because I like the
characters and seeing their story continue along what can only be described as
a huge rollercoaster ride, but if I were to compare it to the other films,
which I have to because it is the fifth in the series and not the first; it
fell victim of tiredness. Written by different people, directed by different
people, and scored by a different person – with fresh faces entering the
series, I did have high hopes that they could reinvent the series, but
unfortunately, their finished product was only a worn out story that was also
rushed.
Without comparing it to the other films, it’s a treat watch. The
story is fun and easy to sit back and relax to without wondering if you’re
missing too many important elements. It does have a 12 certificate, but it is
fun for the whole family, and seeing it on the big screen only made it that
much more enjoyable. Even in a spoiler filled review, I don’t want to give away
the ending, but it’s one that I was not expecting in the slightest, and does
set a course to a sixth instalment, because I simply can’t believe that they
would do what they did, especially after being such an important element
throughout the franchise and has become much loved by all – I may have given
away too much… No, I think it’s still cryptic enough to not know what
specifically happens.
There are obviously unconfirmed rumours going around suggesting a
sixth instalment, but they are only an extension from the previous rumours
pointing towards the production crew filming the fifth and six instalments back-to-back.
As much as I want to say “I don’t know where else they can take the series”, I
said way back when the fourth was announced. This time however, with every
curse broken, it might be difficult to explain away some things, but of course,
the world is a much bigger place. With all the curses broken, it might actually
give the studio a chance to do what I thought they would do with this series,
reinvent it.
To sum up this movie – it’s better than the fourth instalment. I’m
now considering the fourth as an interlude movie between the two main series.
P.S. I do have one question. At the beginning of the film, Salazar specifically states, "dead men tell no tales" when refusing to tell Henry why he wants to hunt down Jack Sparrow, so why did he explain the story to Barbossa? In keeping with the meaning of what he said, it would have been better if the flashback sequence was shown at the beginning of the film, before Henry Turner's scene.
Thanks for reading
Antony Hudson
(TonyHadNouns)
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